VVV09 The 3D Task Force Action Duo
Whoa! You reached the 3D Task Force Action Duo Official Web Page.
The 3DTFAD aims at convicing other groups and people that stereo vision is useful for their tasks. It is composed of the following duo:
- Federico "funny jokes" Tombari
- Harold "AeroSpace" Martinez
"A dirty job, but someone has to do it"
We have implemented a 3D tracker based on stereo vision.
- The first step is based on stereo calibration, in order to perform proper rectification (warping) of the two views. We want to have rectified pairs also when the eyes of the robot move in different positions. Hence, we performed different calibrations with different positions of the eyes and now try to interpolate the resulting homographies with the deviations of the eyes (due to non-perfect alignment of the cameras) which have been estimated experimentally.
- Given rectification, we perform stereo matching in order to get a disparity map. The stereo matching module is based on a simple, though very fast, stereo matching algorithm (based on fixed correlation windows).
- The disparity map is used to compute a range image using the intrinsic and extrinsic calibration parameters.
- In addition, the disparity map is fed into a "visual attention module" that was implemented during the summer school. Whenever there is something "interesting" (i.e., close) to the robot, this module outputs the 2D coordinates of the center of mass of what stimulates the iCub's attention. If nothing is within the visual attention space, then nothing is being sent.
- The visual attention module output serves as input for a tracker that aims at following the object (or whatever it is) within the visual attention field. Currently, there are some constraints on the head movements, in particular for what concerns the eyes we currently adjust only the vergence so to perform tracking along the "z" direction, while the head joints are moved in order to track the object in the "x,y" plane.
Here's a demo we took on-the-fly of an object tracker based on stereo. It's in an astonishing 176x144 resolution available on the new Samsung PDAs (we had to cut off the audio since Harold was talking at the phone while filming)